Why the SB30 Hybrid-Euphonium
We get asked all the time why a group would choose to use the SB30 Hybrid-Euphonium over a Baritone, or a Euphonium, or a mix of Baritones and Euphoniums. There are several reasons we usually respond with, and I will talk through a few here.
One of the main reasons we initially designed the Hybrid-Euph was to eliminate the need to use two different low brass voices (which The Blue Devils did for many years). When two voices are used (say a Baritone for the leads, and Euphonium for the lower parts), and then a unison line is written for the full low brass section, intonation issues will arise that are inconsistent between the two instruments. By using the one instrument, all of the tuning tendencies are now similar from player to player.
The Hybrid-Euph borrows parts from a Baritone and a Euphonium, as well as has some custom parts made specifically for it. The “front-end” of the instrument is more Baritone, and the “back-end” is more Euphonium. Because of that, lead players will still be able to climb the register and play with a great top end sound, while the lower parts can still play with a “beefy” sound in the low register.
As you can see, the SB30 Hybrid-Euphonium covers all the bases musically, as well as it is weighted so performers from high school students to world class drum corps members can perform and maneuver it with general ease (although it is still a large instrument, we’re not talking about a Trumpet here :-).